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Ballerina Corner competitions exhibitions & performances in other news lessons teaching

Conservation of Dance Momentum

A body that is dancing tends to continue dancing unless acted on by an outside force.  In the absence of outside forces (spring semester ended on May 6;  congratulations, Class of 2011!), we have been dancing a lot and doing a lot of dance-related stuff in the last several days.  Since I haven’t had to teach I’ve been going to four ballet classes a week at Madison Studio: my usual twice-a-week “Pearls” class (average age: 11, focused on beginning pointe work and trying to remember which is croisé and which is effacé) plus two adult classes which, despite being ostensibly for beginners, serve to demonstrate that one can never spend too much time working on the basics.  All this ballet is having several salubrious effects, including finally loosening up the hamstring I pulled a few months ago and keeping me from going insane as I work on revisions to my book manuscript.

We are still working on our paso doble; on Monday we went over the videos we recorded in our last lesson with Eddie and just repeated, repeated, repeated the steps without even trying to get up to tempo.  This video that a friend sent me earlier today demonstrates just how far up “up to tempo” actually is.

No lesson this past weekend, but on Sunday we had an all-studio blocking rehearsal at Madison Studio for the recital on June 4.  Having the entire population of the studio in one place at one time was an impressive exercise!  It was our dancers’ first time doing their recital piece for any kind of audience and they did great.  We also managed to remember our rumba routine despite not having done it for a while.  The real high point was running the “production finale” in which every class appears, one after the other, and dances a short additional routine.  Lots of us are in more than one class, so there was a lot of dashing from one side of the studio to the other, hurried changing of shoes, and general crowd control.  The ballroom dancers also had a good laugh at the “FootUndeez” I wear for the contemporary ballet number I’m dancing in.  Yes, they look like panties for your feet.  Hence the name.  Can we all just move on now?  (Okay, they are pretty funny, especially the ones I’ve seen that have a little pink net tutu ruffle around the elastic part.)

After regular classes on Monday (Pearls class, paso practice with Daniel, ballroom class) and adult class Tuesday at noon, the ballroom group reconvened at the studio on Tuesday evening to get pictures taken.  The marvelous Keiko Guest (check out the “Fine Art” side of her site for sure, but a couple of those may not be SFW) comes to the studio once a year to take individual pictures of everyone in their recital costumes.  She brings along a staff of 3 or 4 people, a small photography-studio setup (lights, background, even one of those fans to make your hair blow around and look glamorous), and more computer equipment than I ever thought possible.  In less than an hour we had lined up to wait, had a jolly time getting our photos taken, and looked at our proofs to order prints.  The pictures were amazingly good and I can’t wait to get the prints.  Ms. Guest is a former dancer herself, so she understands what good lines look like and how to adjust people’s positions so that on film, we look like better dancers than we probably really are!  Daniel and I had a lot of fun coming up with poses for ourselves and then inflicting them on our other two couples.  The best part was taking some shots of all 6 of us together.  She somehow made us all look attractive and dancerly while crammed into about 4 square feet of space on her backdrop.

So it’s been a great couple of weeks, and the beat goes on.  This evening we’re dancing at Pinegate with the performance ensemble from Madison, then on Saturday we have a lesson from Eddie.  And today we got a call from another retirement community here in town, wanting us to schedule a performance.  AND…according to the counter on their website, Gumbo is just 5 days away.  I’m pleased to report that the counter is not accurate!

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dancing in the media in other news Uncategorized

Represent, Represent!

Our class is learning the cha-cha–and also learning how hard it can be to do the steps accurately AND up to tempo. (If they’re anything like me, it’s usually one or the other…) Last night I downloaded my favorite slow/practice cha-cha song. Click and enjoy!

In other news, it became known in class last night that I have never seen Saturday Night Fever.  How egregious is this omission for someone who will watch practically any movie with dancing in it*?  I’ve also never seen Dirty Dancing: Havana Nights (whence “Represent Cuba”), but that seems less embarrassing somehow. I have seen Take the Lead, Mad Hot Ballroom, Shall We Dance (both versions), Scent of a Woman, Strictly Ballroom, and numerous ballet movies, good, bad, and indifferent.

Dance-movie suggestions and cult-favorite song choices welcomed in comments.

*Exception: Black Swan, which I am still debating about.

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Dance Excuses

Last night we danced our new rumba routine at an International Festival event at Mercer University. It was a really nice event: good turnout, nice weather, really sweet organizer (Hi Laurel!). So if I didn’t dance well (spoiler: I didn’t), I can’t seriously blame anyone but myself. Still, on the way home I was consoling/amusing myself by thinking up excuses and pretty soon I decided that what the world needs is a master list of ballroom dancing excuses. This list will attempt to address social, competitive, and exhibition dancing. Feel free to add your own!

  • The floor was slippery
  • I couldn’t hear the music
  • We weren’t warmed up
  • Lost earring/eyelash/fingernail/concentration
  • It was too early in the morning
  • A judge was in our way
  • My shoes are too big
  • Dehydrated
  • I forgot the steps
  • My partner forgot the steps
  • I never knew any steps in that dance to begin with, a.k.a. “Who entered us in a Polka heat???”
  • The floor was sticky
  • Not enough hairspray
  • Not enough coffee
  • Not enough cocktails
  • Too many cocktails (moderation is key)
  • Handsy partner
  • We got an unlucky number
  • Other couples were sandbagging
  • Still working the kinks out of the new routine
  • Wedgie
  • Hypoglycemia
  • The floor was too small
  • I’m not cool enough for West Coast swing
  • Or Argentine tango
  • The tempo was off
  • The photographer blinded me with his flash
  • My shoes are too tight
  • We missed breakfast
  • I only know steps from [insert syllabus here]
  • I hate that song

Debating whether I should put asterisks next to the ones that have actually happened to us!

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Following in someone’s footsteps

Today’s post comes to you courtesy of a student of mine who photographed 2 dance lessons in Chattanooga, TN during our recent Spring Break:

The Cha-Cha

The Waltz

Don’tcha just love it?

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The inner Mark Twain

Internet, I revealed a secret to our dance class tonight, and now I’m going to share it with you.  But it’s a secret, so I’m going to whisper, and then you can’t tell it to anyone else.  Only your fellow dancers can know this.  Lean in close.  Wait, let me get a mint. Okay, now lean in close…
You don’t have to know very many steps to make other people think you’re an amazing dancer.

Sure, if you want to compete or do performances, then you need a bit more variety.  But if you just want to dance socially–weddings, parties, events like that–a few basics will take you a long way.  The key is in the way you do the steps.  If you are standing up straight with a nice big frame and a pleasant look on your face (or, where applicable, a good nasty tango face), you can do the same three steps over and over again and people  will come up to you afterward to say “You are such a great dancer!”  Enjoy your dancing, and other people will enjoy your dancing.  Daniel and I are not the best technicians in the world (yet…hahaha) but people always remark on how much fun we seem to be having.  That’s what it’s all about, after all!

And take it from me: after you get a compliment on your dancing from a stranger, you will never want to miss another lesson.  Mark Twain once said “I could live two months on a good compliment.”  I’m pretty sure he’s not the only one.

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Save the Halls!

The Georgia Sports Hall of Fame and Music Hall of Fame, both mainstays of tourism and history in downtown Macon for over 10 years, are in danger of closing and moving to other cities. The state of Georgia plans to phase out funding for the halls over the next few years, requiring them to become self-sufficient or to receive funding from other sources.  The Georgia General Assembly is requesting bids from cities on both halls, opening the possibility that one or both will leave Macon and move to another city.  Meanwhile, a group called Halls of Fame, Inc. is bidding to keep both halls in Macon and a petition drive has started at SavetheHalls.com.

As ballroom dancers in Macon, Daniel and I are most familiar with the Georgia Sports Hall of Fame, where USA Dance Greater Macon Chapter #6059 has hosted dances on First Fridays for the last several years.  The first dance event I ever attended in Macon was at the Sports Hall of Fame.  The connection between our chapter and that venue seems to me like an obvious choice for promoting dancesport toward its eventual recognition as an Olympic event, which is one of the goals of USA Dance.  The Sports Hall of Fame has been extremely generous toward our chapter and I hope we can repay that generosity by joining in the effort to keep it and the Music Hall of Fame here in Macon.

We want to keep the Halls of Fame in Macon as part of the city’s overall effort toward growth and renewal.  The presence of the Halls of Fame here gives visitors to Georgia another reason to explore beyond Atlanta, Savannah, or other typical tourist destinations.  It also provides an anchor for the expansion of downtown commerce into tourism and after-hours nightlife.  AND it gives dancers a place to dance.  So…

Save the Halls!

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“Dance Your Ph.D.”

Rarely do the 2 sides of my life dovetail so neatly, but I’ve just been reminded by my trusty online friends about Science magazine’s annual “Dance Your Ph.D.” competition.  It seems dorky–and it is, in fact, HILARIOUS–but  just watch the winning dance in the Chemistry category and see if you don’t feel like you learned something.  As a huge believer in both dance and creative pedagogy, I love the idea of using dance (which should, at its best, communicate to and enrich its audience) to illustrate an abstract, complex, or naked-eye-invisible concept to the viewer.  Besides, Dance Your Ph.D. shows people that researchers/academics are not all SRS BZNS all the time.

Reading that was a nice antidote to this article which I read this morning.  Maybe the popularity of ballroom holds a lesson for ballet people about how to keep their art form alive.  To my mind, ballroom is no less physically demanding nor technically complex than ballet, and it comes from similar high-society roots.  One could even say that today’s ballroom stars have something of the exotic glamour of last century’s ballerinas.  Yet ballroom has succeeded at drawing a proletarian (as it were) audience and at becoming a casual social pursuit and a hobby, while ballet has not.  Relatively few teens continue ballet past their high school graduations and still fewer adults take it up as adults.  Ballroom, on the other hand, draws numerous adult beginners.  It seems to me that keeping an art form alive means attracting as much talent as possible from all available demographic groups.  That broader appeal is not incompatible with maintaining a high artistic standard; it merely means that dancers must be allowed to find their own level.  A 30-year-old ballet beginner might never dance professionally due to physical limitations, but she might  have a good enough understanding of movement to become an amazing choreographer–just as in ballroom, we may never be ISDF world champions (largely because we don’t dance International style or have airfare to Estonia handy) but a Senior I 9-dance title probably isn’t out of reach.  At least, we don’t think so. :-)

Ballet and ballroom are both weighted down with tradition.  Granted, ballroom began as a social pursuit and became an art/sport while ballet began as a fine art and has only partially made the transition to hobby status.  The analogy is, like all analogies, flawed.  Yet broadening the appeal of ballet without diluting its essence cannot be as hard as Jennifer Homans makes it seem–even if it probably is harder than I imagine.

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dancing in the media in other news Uncategorized

Video stars

Yesterday afternoon at a press conference, the Peyton Anderson Foundation announced a $1.5 million one-year grant to promote Macon to the rest of Georgia and around the U.S.  (Here’s the Macon Telegraph story.)  The project, which is called the Gateway Initiative, includes a video featuring performing artists in iconic and beautiful Macon settings.  Two of the performing artists in the video are Daniel and me! How cool is that?

Tuesday morning we got a call from Paula East with the news that Elliott Dunwody of Bright Blue Sky Productions had called her looking for dancers to appear in a video that would be shooting early Friday morning on the Ocmulgee Heritage Trail, and she had very generously recommended us.  Fortunately, Daniel works at night and I am off most Fridays, so we were both available and very excited to be involved with the project.  I called Elliott that morning to make the arrangements.  One trip to Target for false eyelashes later, we were ready for video stardom.

Promptly at 8:15 Friday morning (we are not the kind of divas who turn up late to a shoot) we were waiting in the parking lot at the trail entrance, not quite knowing what to expect.  Elliott D. drove up on his four-wheeler/golf cart and introduced himself by saying “Are you walking or dancing?”  He picked out our outfits–white tie with black shirt, pants, and vest for Daniel and aqua practice dress for me–and we got in the cart to ride over to the location.  Thus we learned that on a professional shoot, “the talent” (i.e., us) does not have to do anything except show up and perform their part.  At a picturesque bend in the trail, two producers (Stephanie & Tabitha) were waiting for us along with Maryann Bates, a local photographer that we’d met a few times.  She was taking still photos that will also be part of the Gateway Initiative projects.

When we got there, I was still in yoga pants and a tank top with no lipstick on.  Granted, dancers are not modest, but stripping down and changing while walkers, joggers, dogs on leashes, and babies in strollers went by might have been a bit much. Elliott had found a tarp in his van which Daniel managed to rig into a curtain for me to stand behind and put my dress on.  After some setup time during which we practiced and the producers made inscrutable adjustments to a pair of large square reflectors on stands (Daniel: “Can I help?” Stephanie: “No! The talent doesn’t have to help!”), it was time to dance for the cameras.

The strangest part of the process was dancing with no music.  The production team will add the music separately, and Elliott didn’t have a power supply for a CD player or similar, so we just counted to ourselves and went without it.  The second strangest part was dancing on concrete instead of a wood floor.  Our technique probably would not have won us any ribbons.  Nevertheless, it was exciting and we definitely felt like stars.  We did our waltz routine at least a half-dozen times at different spots on the trail while the camera rolled and Maryann shot stills.  Hearing her shutter clicking was like affirmation that we were looking good.  The setting was gorgeous and everyone who went past during the shoot was very interested and complimentary.  Elliott also showed us some of Maryann’s photos taken during other segments of the video and they were amazing.  If our part looks as good as that, I will be totally blown away!

Everyone will have to be patient for a while until the finished video comes out.  Because of copyright and so forth, we could not take any personal pictures or use our video camera.  Producer Stephanie said the video would hopefully be done “by the end of the year” but the Telegraph article said November. Let’s hope for sooner rather than later.  Stay tuned for our big debut.  As soon as I get a copy or it’s up online, I’ll post it for all to see.

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Workshop With Eddie!

At last year’s Stars over Macon Ball, Eddie Ares generously offered to come to Macon to give a free dance workshop.  It’s taken almost a year but the workshop date has finally been scheduled: Sunday, September 26, from 4:30 to 6:00 p.m. at the Howard Community Club.  After the workshop, our dance will start at 7 p.m. as usual.

If you plan to attend the workshop, please email me (laura at dldancers dot com), leave a comment on this post, or respond to the “Dance Workshop with Eddie Ares” event page on Facebook.  That way, we’ll know how many people to expect.  The workshop is free; we are asking only for the usual $5 admission to cover the cost of renting the facility.  No partner is needed and the workshop is suitable for beginner to advanced dancers.

In addition, a limited number of private lessons with Eddie will be available for $77 per 45-minute lesson.  Please contact Laura to schedule a private lesson.

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behind the curtain in other news

Our Mascots

An anticipatory lull has taken hold here at DLDancers HQ as Daniel and I count down the hours till our departure for the Gumbo Dancesport Championships in Baton Rouge this weekend. So I thought I’d take a moment to introduce the Internet to our three mascots and most loyal supporters.

Tango is about 4 years old; Daniel got him before we started dating.  Tiger is 3 months old–we just got him from our dancer friend Jodi Williams (she has more kittens available if you need a mascot of your own).  Mackie is the baby of the family at only 5-6 weeks old.  Daniel found her wandering lost in a parking lost last week and brought her home.

None of them has any aptitude for dancing but they are all excellent at lounging, pouncing, meowing, eating, and being adorable.  (You know: the things dancers do when we’re not dancing.)  We will miss them when we head off to BR.  Special shout-outs of gratitude are due to Shane Trayers who will be on cat patrol while we’re gone.  Thanks, Shane!