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behind the curtain dancing in the media Friday Night Dance Parties Uncategorized

Kirstie falls, Daniel snorts, I elbow Daniel in the face

First of all, let me say thank you once again to everybody who came out to our monthly-dance-turned-Daniel’s-birthday-party last night.  It was a ton of fun, Daniel was delighted, and we will be eating the leftover snacks for days!  Extra shout-outs to one couple (you know who you are) for bravely attending your first social dance EVER.  It only gets easier from here!

Now, then (weird transition phrase, that).  After finally watching Monday’s Dancing with the Stars sometime around Wednesday night–DVR is a necessity for the overscheduled–and seeing Kirstie Alley’s much-discussed fall, I realized I didn’t want to be the only dance blogger not to, well, discuss it.  So: my thoughts, let me show you them.

I thought Maks was incredibly professional in the way he handled the whole thing.  He immediately cued Kirstie back into the routine by listening to the music and taking a position that told her where they would pick up in the choreography.  Then, once it was over, he took full responsibility for the fall–although Kirstie chimed in on Twitter and said “Maks is too humble; we all know it takes two to tango.”  But as Daniel always reminds beginner gentlemen, the man is in charge on the dance floor but that means he has to take the blame if something goes wrong.

As for Kirstie, I’ve been impressed by her performances anyway, but the way she rose to the occasion of dancing the rest of her routine really knocked my socks off.  That’s where her professionalism–born, I assume, of a long show-business career–stood her in good stead.  Adrenaline can sometimes be your friend too: the worst has already happened, your body is buzzing from dealing with the sudden and unexpected, and stopping is not really an option, so why bother being cautious or anxious through the rest of the routine?

I worry that some people will look at the fall, think “Oh, that happened because Kirstie is too fat” and conclude that people who are not already at a healthy weight shouldn’t be dancing.  Granted, Kirstie is not a 90-pound sylph, but few people are.  Kirstie’s weight cannot have been an issue in that move, which (as she and Maks pointed out later in the “celebriquarium”) they had rehearsed a million times.  Maks wouldn’t have put it in the choreography if he didn’t think they could both accomplish it.  Ballroom dancing is impressively adaptable to people of all shapes and sizes; you don’t have to already be skinny and fit to start dancing or even to dance at quite a high level.  It is also–as DWTS has shown repeatedly–an excellent way to get in shape and lose weight if that’s your goal.

People forget, when they see dance performances in their final state, that hours of blood, toil, tears, and sweat go into perfecting those performances.  To me, Kirstie’s fall was merely an instance in which that hard work momentarily became visible in the final product.  No one wants that to happen, but in a way I think it’s beneficial when it does.  Dancing seems to intimidate a lot of people because they think of it as a product of talent rather than effort.  I’ll give you a hint: it’s mostly effort.  Which is why, in the course of learning the rumba routine we danced for everybody last night, I elbowed Daniel in the forehead hard enough to make a sound (“thwock!”) and Daniel once snorted (by accident) right behind my head and made me burst out laughing.  Fortunately, those things happened in lessons and not in a performance.  Kirstie and Maks did exactly the right thing when they just got up and kept going as if nothing had happened.  That’s the part we could learn from.  Daniel and I are both guilty of letting minor mishaps show on our faces when they would probably have gone unnoticed otherwise.  It’s something we should work on so that if we ever have a major mishap on the floor, we have the wherewithal to follow Kirstie & Maks’s example and just keep going.

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behind the curtain

It’s all about the sparkle

I would never accuse our dancers of doing anything as crazy as reading this website, but this week they did seem a lot more keen on the prospect of dressing up and looking flashy for their performance.  One woman brought a selection of sparkly club-wear for me to adjudicate and the other said, unprompted, that she plans to put on eyelashes.  Yes! Come to the dark side, my pretties.  It’s…actually not all that dark over here, on account of all the glitter and rhinestones.

The next topic of discussion to arise was that of legwear.  The ladies will be wearing black shoes, black practice skirts, and solid-colored tops with some kind of sparkly embellishment.  But what to put on our legs?  I ran down the options:

  • Nothing. Advantages: inexpensive, convenient. Disadvantages: my legs, at least, are the color of Coffee-Mate.
  • Tan fishnets. Advantages: easy fake tan, jiggle control (irrelevant in our group but still reassuring). Disadvantages: Waffle Butt.
  • Black fishnets.  See above, except for the “easy fake tan” part.  I think black fishnets are a little Halloweeny for real life, but for stage wear, anything can be excused, justified, or accepted.

Then I remembered that Capezio makes black fishnets with rhinestones up the back seam.  There was definitely an air of excitement in the room when I brought up that possibility.  Unfortunately, the excitement was dampened (at least for me) when I checked online and found that they cost more than $40!  Another brand is available for much less, but there’s an obvious difference in quality.

Now I am thinking we can buy plain fishnets and do the stoning ourselves.  This idea is a very “ballroom” idea.  I’ve come to believe that left to her own devices, a ballroom dancer will glue rhinestones to anything that sits still long enough.  10 gross of Swarovski is around $40 depending on the exact size of the stones.  That’s more than enough to do 3 pairs of fishnets with extra stones left over to glue to our outfits, shoes, hair, faces…Wonder if I can get WordPress’s snow plugin to rain rhinestones on DLDancers.com instead?

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behind the curtain Uncategorized

Beauty vs. Athleticism

The walls of my childhood ballet studio were decorated with several posters by Harvey Edwards, including one close-up of a man doing a détiré en avant, sweat beaded on his face and hair.  The caption: “Dance is work.”  Eddie Ares’s studio offers this quotation on its website: “Dancers are the athletes of God.”  Even for casual social dancers, ballroom dancing is widely touted as an enjoyable way to get some exercise.

On the other hand, a fair amount of current dance marketing emphasizes the beauty and glamour of dance over its atheticism.  Ballet studios offer “princess camp” or “a visit to Fairyland” summer programs for little girls.  A ballroom studio in Laguna Hills, CA offers “personal instruction and an elegant air. There are fresh roses on the tables and sliced strawberries in the water” (full article here).  The studio hopes to distinguish itself and succeed in a difficult economy by presenting itself as a luxury service provider.

Reading the article, I immediately wondered if the strategy would work.  I also wondered if it should work.  The athleticism of dance is, for me, one of its signal attributes and one of the main things that draws me to it.  Will the little girls who sign up for the visit to Fairyland be disillusioned when they are expected to stand quietly at the barre and follow instructions?  Could new dancers be surprised when they discover that the roses on the tables might be flecked with beads of their sweat at the end of an hour-long lesson?

I love a good workout and I’m always proud to be sweating and sore when my lesson is over.  Do dancers respond more to a physical challenge or to the promise of grace and elegance?  What about people who don’t know yet that they are dancers?  It’s by no means an either/or question; the two qualities reinforce one another.  But I wonder how other dancers see their dancing.  I appreciate the aesthetic aspect but I think I am really addicted to the physical demands and challenges.  Of course, those demands and challenges exist in the service of creating a certain look, and I know I’ve met the challenge when I have the look.

I am going in circles here.  Which reminds me that I need to practice my spiral turns for cha-cha during tonight’s break between classes.

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behind the curtain

Gratuitous post featuring SNO!

It’s snowing over at Slim Paley’s site today; turns out that the snow is a WordPress feature so I had to put up a post here just to make it snow on DLDancers as well!  WordPress-hosted blogs can turn on the snow by going to Appearance –> Extras and clicking “Show snow” or some such; we self-hosted blogs have to download a plugin.  I think WordPress’s snow will automatically stop falling on a given date but since ours is plugin snow, someone may have to remind me to turn it off!  (“Uh, Laura, it’s still snowing on your Web site, and it’s JUNE.”)  Out-of-date snow would be right up there with leaving your Christmas lights up till St. Patrick’s Day.

Meanwhile, our year of dancing is winding down.  We danced with Madison Studio at Pinegate and John-Wesley Villas on Saturday (video coming soon), taught our last group lesson of 2010 on Monday, and finally decided not to compete at Savannah Dance Festival, although we may go as spectators.  In the interim we are heading to Missouri for a little holiday visit and still trying to figure out where to ring in the New Year.  We may be popping champagne and dancing around our own living room!  There’s lots of good stuff on tap for 2011: our group class will resume on January 3 and the class is leaning in favor of dancing in the spring recital, so choreographing a formation routine could be in our future.  Stay tuned, and let it snow!

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behind the curtain teaching

Er, who?

As you all know, Daniel has numerous outstanding qualities: twinkly blue eyes, charming accent, uncanny ability to fix anything–and that’s not even to mention his dance skills.  However, he is terrible with names.  We have a grand total of TWO couples in our group class right now and he can never remember anyone’s name other than mine.  Better yet, he has actually renamed one of the men.  The gentleman’s name is (let’s say) Alan but Daniel called him “Andy” every time.  The first time, I corrected him.  The second time, I corrected him.  The third time, Alan’s wife and I corrected him in unison:

Him: “That was much better, Andy.”

Wife and me: “ALAN.”

We all cracked up.  Dancing is fun but the relationships among the dancers are at least as much fun as the dancing itself.  It is, after all, called social dancing.  And maybe next week, Daniel will get Alan’s name right.

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behind the curtain

You gave advice…

and I ignored it!

Around the same time I posted my four possible Smooth gown choices, my friend JoyDawn offered me a try-on of a gown she bought on eBay that turned out to be too big for her.  The fit is good (it will need only minimal alteration), the price is right, and it does not have to be shipped from the other side of the world, so I’ve decided to buy it.  My decision in no way invalidates your input, which was excellent and helpful, and which actually brought me a new Internet friend (Hi Deanna!).  “Everybody wins” is what I’m saying.

The one thing I don’t have is a photo of the gown I’ve bought.  It is white satin, sleeveless, with aurora borealis (AB for short, i.e., clear crystal with an iridescent finish) stones, a mesh inset across the stomach (note to self: do crunches), and a white chiffon float that attaches to a heavily stoned wristband.  Since floats aren’t worn in American Smooth, I will have the float removed and wear the wristband on its own.  It also came with a matching choker-type necklace.  Both the wristband and the necklace are beige/nude backing covered in patterns of AB stones.  I am going to look very sparkly on the floor!  And not many people wear white gowns, so I think I’ll stand out for that reason as well.  Best of all, the gown is comfortable and does not weigh 200 pounds or cost as much as a used car.  Hooray!

If you would like your own sparkly gown (admit it: everybody needs one), Internet Friend Deanna is selling two of them–one Smooth/Standard, one Latin/Rhythm via ArtRhythms.   Natalka who runs ArtRhythms is great; it’s worth checking out her site if you are in the market for a dress.

Stay tuned for more about competition dress choices and photos of my new dress!

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behind the curtain

Please note the new tagline

Longtime readers of my LiveJournal* will recognize “What have you done for your dancing today?” as an adaptation of “What have you done for your dissertation today?,” the mantra that got me through writing my doctoral dissertation five years ago.  In the interest of refining our focus and the site’s focus, I’ve decided to use “What have you done for your dancing today?” as a reminder to myself to do something for my dancing every day and to post something on the site at least 3 times a week.  I plan to continue recording our experiences on the dancefloor and promoting local events, but I’d like to add more reflective and informative posts as well: how to get started, how to train your body, how to prepare for competition, and whatever else I think of.  I also have an overambitious plan to do a “competition diary” at the end of October when we travel to North Carolina for the Carolina Classic: either a series of short posts as we go through the competition weekend, or one long round-up afterwards.  Hopefully the competition diary will be illustrated with photos.

Stay tuned…

*It’s friends-locked, but if you have an LJ account, comment (here or on LJ) and I’ll add you.

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behind the curtain dancing in the media

Assorted entertainments, or “Pick My Dress”

Our friend and role model Jim Riley recently appeared on Fox 5’s “Good Day Atlanta” in the “Road Warrior” segment promoting National Ballroom Dance Week.  Watch the video below or check it out here!

Another friend and role model, the lovely JoyDawn, keeps reminding me that I’m supposed to be on the hunt for a new Smooth gown.  Anybody want to help me pick out a dress?  Comments welcome on these potential choices:

#1: Creamsicle! (but I would get a different color)

#2: Me Lucky Charms! (with godets in a different color and no floats)

#3: Red! (would get this one as written, but probably never wear the gauntlets)

#4: Ballerina Colors! (no gauntlets/no floats)

Getting a Chinese dress is a bit risky in terms of quality control, but Rainbowshiu is the best-known Chinese maker with the most extensive inventory & experience (as far as I know).  The feedback I’ve read says that she’s good and reliable as long as the customer is particular about what’s needed.  “Particular” is my specialty!  I would rather have a made-to-measure gown, already stoned, and this is about the only way to do it for under $1000.

So…thoughts?

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behind the curtain lessons

“Go big or don’t go”

Driving back from our lesson with Eddie this afternoon, I passed a minivan whose back window was dominated by a huge decal from a dance studio. Below the studio name was the slogan “Go big or don’t go!” I had to smile because I’d been having the same conversation with Eddie just a couple of hours earlier.

After struggling a lot at our last competition, and then taking a few weeks off with no lessons, I was feeling discouraged and unmotivated. Neither Daniel nor I was sure where we’d start or what we’d be working on in our lesson today. We started by explaining to Eddie as best we could what had happened at the competition: we had trouble with floorcraft when the dancefloor was crowded, and we both tended to forget our steps when we got nervous.

We worked on some strategies for what to do if we get boxed in:

  • hold a pose if we happen to be in one.
  • stop, close our feet, and restart the step we were in the middle of.
  • do basics to get around the traffic jam.

But we also worked on posture and movement to make our dancing appear more aggressive.  Eddie didn’t quite come out and say this, although he agreed with me when I said it: part of floorcraft is psychological.  If we look like we’re big, aggressive, and moving confidently across the floor, other dancers will yield to us more often than if we look tentative and small.  It reminded me of marching band when I was in high school: the very first step and the very first note of the show have to be assertive, our director would tell us.  If you’re going to make a mistake, make a BIG mistake.  Go big or don’t go.

Sharing the floor with us this afternoon was a family–Mom, Dad, Daughter, Son-In-Law-To-Be, and Daughter’s Fabulous All-Rhinestone Wedding Shoes–getting lessons for the bride & groom’s first dance and the father-daughter dance at their wedding reception.  Watching SILTB dance with Daughter, I remembered how important posture and movement are, even for beginning dancers.  If you are a beginner, you are concentrating on remembering the steps.  You’re looking at your feet, your elbows have collapsed, your shoulders are rounded, and you’re taking little, tentative steps for fear of messing up.  Even if you get all the steps right, you don’t look as polished and accomplished as you could.  And let’s face it: if you’re paying for professional instruction for your wedding dance, you want to look polished and accomplished because you know 120 guests will be watching you!

Same goes for just about any social dance situation.  Those same basic steps plus upright posture, a solid dance frame, and a big smile will set you well apart from everyone else on the floor doing the clutch-and-sway.  It’s the ultimate in “fake it till you make it.”

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behind the curtain in other news

Our Mascots

An anticipatory lull has taken hold here at DLDancers HQ as Daniel and I count down the hours till our departure for the Gumbo Dancesport Championships in Baton Rouge this weekend. So I thought I’d take a moment to introduce the Internet to our three mascots and most loyal supporters.

Tango is about 4 years old; Daniel got him before we started dating.  Tiger is 3 months old–we just got him from our dancer friend Jodi Williams (she has more kittens available if you need a mascot of your own).  Mackie is the baby of the family at only 5-6 weeks old.  Daniel found her wandering lost in a parking lost last week and brought her home.

None of them has any aptitude for dancing but they are all excellent at lounging, pouncing, meowing, eating, and being adorable.  (You know: the things dancers do when we’re not dancing.)  We will miss them when we head off to BR.  Special shout-outs of gratitude are due to Shane Trayers who will be on cat patrol while we’re gone.  Thanks, Shane!